Music and Books

HOLIDAY SALE!

HOLIDAY SALE!

PSALMS: A MILLENNIALS POETIC INTERPRETATION

AND

1469 SCHOLARS OF THE TALMUD

PLUS

FREE COPIES OF BOTH CDS

$50

Music and Books

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Psalms: A Millennial's Poetic Interpretation
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The 1469 Scholars of the Talmud
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Open the Gates: Songs of Love and Longing for the Divine
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Dance in the Expanse
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Song List

Song List

  1. Zeh Hayom

  2. Modah Ani

  3. Purely Me (Elohai Neshamah)

  4. Orech Yamim

  5. Dance in the Expanse

  6. He(a)re (Sh’ma)

  7. I Am Free

  8. Through the Shadow

  9. Kol Haneshamah

  10. Ashrei!

Song List

  1. Prelude 2010

  2. Serenity (The Serenity Prayer)

  3. Open the Gates

  4. Enlightened Love (Ahavah Rabbah)

  5. Divine Betrothal (V’Eirastich Li)

  6. Baruch Shalem

  7. Menuchah Shleimah

  8. Sh’ma HaVaYaH Koli

  9. Hashkiveinu

  10. L’chah Dodi

  11. Yih’yu L’Ratzon

About the Book

When I first started Rabbinical School, in 2016, I often found myself amazed at... Everything! I was especially drawn to the Talmud and was just as fascinated by the characters having the discussions as the discussions themselves. I wanted to understand these characters better and after stumbling across Rabbi Alfred J. Kolatch’s book, “Masters of the Talmud: Their Views and Lives,” I still wasn’t completely satisfied. After discovering that the resource I was craving didn’t exist, I decided to create it myself!

My book contains each of the 1469 characters of Rabbi Kolatch’s book, organized alphabetically by century and geographic location, along with charts of the Masekhtot of the Mishnah, Talmud Bavli, Talmud Yerushalmi, and a full Daf Yomi Cycle 14 calendar. I am grateful to be able to share this resource with you and I pray it will enhance your learning, as it has mine.

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More about the music

The songs on these albums have been brewing inside of me for many years. When I got the G-d nudge to begin to imagine sharing them with the world, I realized that there were two distinct themes emerging in my music. Some songs channeled liturgy and themes of celebration and expansiveness- of praising the Divine for miracles already at play. Other songs evoked more of a sense of longing and desire for miracles yet to be manifested. I noticed that many of these songs also had a sense of sweet love for the Divine- a longing grounded in a faith and trust in the eventual manifestation of that which was longed for. Thus, Dance in the Expanse and Open the Gates: Songs of Love and Longing for the Divine were born. I am eternally grateful to my baby sister, Shelbie Rassler, for serving as the Resident Musical Genius for the duration of the arranging, recording, and producing processes of this journey. Much gratitude also to vocalists Rena Branson, Elana Brody, Anat Halevy Hochberg, Laura Lenes, Karen Rassler, Emily Stern and Erika Zade, instrumentalists Emma Rose Bauman, Gioia Gedicks, Matthew Henegan, and Shelbie Rassler, graphic designer Emily Kopp, and photographer Adaliz DeSantis.

The vision for an album titled Dance in the Expanse has been a dream of mine for years. The title comes from my two favorite verses of the Bible. Psalm 118:5- Min hameitzar karati Yah, anani bamerchav Yah- I call out to G-d from a place of narrowness and G-d answers me in Expansiveness; and Psalm 30:12- Hafacta mispedi l’machol li- G-d transforms my mourning into dancing. I loved the ideas of dancing and expansiveness and knew there was a song there. All of the music on both albums has come to me in G-d’s time. I have never sat down with the intention to “write a song”- so I shouldn’t be surprised that my several attempts to do so with this concept of dance and expanse over several years failed miserably. Then, one night after returning home from my first week at the Davennen Leadership Training Institute, I felt something magical happening. I began to sing a new melody to myself and within a few minutes “Dance in the Expanse” had found its home.

Other songs on this album include “Zeh HaYom,” a meditative chant in three parts celebrating Psalm 118:24’s declaration that THIS is the day that G-d has created, and we should celebrate and be joyful in it; “Modah Ani,” the first prayer that is traditionally said when one wakes in the morning and that speaks of our gratitude for the Divine for waking us up and returning our soul to us for another day; “Through the Shadow,” a piece inspired by the words of Psalm 23 and that channels the heartfelt activism that so many of my friends and teachers are immersed in; and “Ashrei,” a fun big-band style piece that celebrates the Joy that is felt when one finds home within the Divine. 

The title song of Open the Gates: Songs of Love and Longing for the Divine was written on Asara B’Tevet, which is observed as a minor fast day in many traditional Jewish communities. I was a fellow at Yeshivat Hadar and was struck by the line “Petach sha’arei shamayim litflilateinu” while we were davenning the special section of prayers in the morning service to commemorate the day. These four words ask G-d to open the gates of heaven to our prayer. I imagined all of us as beams of light, grounding into the earth and rising into the heavens. I imagined our channel to the Divine being cleared of all blockages and all of our prayers harmonizing and rising together through the gates of heaven. I meditated on this verse throughout the day and by the time I got home “Open the Gates” was born.

Other songs on this album include “Baruch Shalem,” a healing lullaby written for the beautiful baby boy that I carried as a surrogate mother last year, whose Hebrew name is Baruch Shalem, which means Blessed Wholeness; “Hashkiveinu,” a pleading prayer from the evening liturgy which asks G-d to keep us safe while we sleep and to return our consciousness to us at the end of the night; “L’cha Dodi,” a prayer sung by Jews around the world every Friday evening as we welcome the Shabbat Bride to join us for the gift of Shabbat; and “Prelude 2010,” a piece which was first created in 2010, during a time in my life which served as the catalyst for all of the spiritual growth and seeking that continues to this day.